About Zéphyr
As a tranny and nomad, she views herself as a post-structuralist. But from Beijing to London, she oscillates between self-liberation and self-implication. She hates being objected by chasers but being subjected by neoliberalism is even worse. Guess that’s why she is currently appropriating manufactured culture to explore a new kind of alternativeness and object-heroism generated in the dynamics of viewing relations.
Before her artist career as a diva, she had been tortured enough in her French and Francophone studies in China during the bio-political policies that also survived the pandemic. Thanks to that, she was exposed to Foucault, Deleuze, Kristeva as well as Bataille and Marquis de Sade.
Now she is seen around kink clubs in London, extending her tough journey of torture, wearing latex, silicone, perfume, make-up. She always tries to walk the fine line between glamour and disruption, tits in or tits out. Just like she still believes in tenderness and intersectionality, as an emergent strategy or a divine intervention.